HA LONG BAY - WORLD NATURAL HERITAGE

Situated in the North-East region of Vietnam, Halong Bay is a bay in the Gulf of Tonkin comprised of regions of Halong City, the township of Cam Pha, and a part of the island district of Van Don. Halong Bay borders Cat Ba Island in the southwest, the East Sea in the east, and the mainland, creating a 120 km coastline.

Halong Bay is made up of 1,969 islands of various sizes, 989 of which have been given names. There are two kinds of islands, limestone and schist, which are concentrated in two main zones: the southeast (belonging to Bai Tu Long Bay), and the southwest (belonging to Halong Bay). This densely concentrated zone of stone islands, world famous for its spectacular scenery of grottoes and caves, forms the central zone of Halong Bay, which has been named a UNESCO World Heritage Site.

The bay itself has an area of 43,400 ha, consists of 775 islands, and forms a triangle with the island of Dau Go (Driftwood Grotto) to the west, the lake of Ba Ham (Three Shelter Lake) to the south, and the island of Cong Tay to the east.

Ha Long literally means descending dragon(s) and according to local myth, the story goes as follows: Long ago when their forefathers were fighting foreign invaders from the north, the gods from heaven sent a family of dragons to help defend their land. This family of dragons descended upon what is now Ha Long bay and began spitting out jewels and jade. Upon hitting the sea, these jewels turned into the various islands and islets dotting the seascape and formed a formidable fortress against the invaders. The locals were able to keep their land safe and formed what is now the country of Vietnam. The Dragon family fell so much in love with this area for its calm water and for the reverence of the people of Vietnam that they decided to remain on earth. Mother dragon lies on what is now Ha Long and where her children lie is Bai Tu Long. The dragon tails formed the area of Bach Long Vi known for the miles of white sandy beaches of Tra Co peninsula.

This myth is in line with the Vietnamese myth of their origin Con Rong Chau Tien. This myth describes the union between a king (representing the dragon) and his bride (representing a goddess) giving birth to 100 children which are the ancestors of the Vietnamese people. The Ha Long myth illustrate the Vietnamese belief of their origin and the fact that throughout their history, they are aided by their ancestors, the dragon and the gods, in the defense of their land.

Viewed from above, Halong Bay resembles a geographic work of art. While exploring the bay, you feel lost in a legendary world of stone islands. There is Man's Head Island, which resembles a man standing and looking towards the mainland. Dragon Island looks like a dragon hovering above the turquoise water. La Vong Island resembles an old man fishing. There are also the islands of the Sail, the Pair of Roosters, and the Incense Burner, which all astonishingly resemble their namesakes. The forms of the islands change depending on the angle of the light and from where the islands are viewed. At the core of the islands, there are wonderful caves and grottoes, such as Thien Cung (Heavenly Residence Grotto), Dau Go (Driftwood Grotto), Sung Sot (Surprise Grotto), and Tam Cung (Three Palace Grotto).

Halong Bay has many links to the history of Vietnam. For example, there are such famous geographical sites as Van Don (site of an ancient commercial port), Poem Mountain (with engravings of many poems about emperors and other famous historical figures), and Bach Dang River (the location of two fierce naval battles fought against foreign aggressors).

It has been proven by scientists that Halong was one of the first cradles of human existence in the area at such archeological sites as Dong Mang, Xich Tho, Soi Nhu, and Thoi Gieng. It is also a region of highly-concentrated biological diversity with many ecosystems of salt water-flooded forests, coral reefs, and tropical forests featuring thousands of species of animal and plant life.
With all this in mind, the 18th meeting of the Committee of the World Heritages of UNESCO (in Thailand on December 17th, 1994), officially recognized Halong Bay as a natural heritage site of worldwide importance.

I. Grottoes:

Dau Go (Driftwood) Grotto

Dau Go Grotto is found on Driftwood Island, formerly known as Canh Doc Island. The name Driftwood Grotto comes from the popular story of the resistance war against the Nguyen Mong aggressors. In a decisive battle, Tran Hung Dao was given an order to prepare many ironwood stakes to be planted on the riverbed of the Bach Dang River. The remaining wooden pieces were found in the grotto and, as a result, the grotto was given its present name. The entrance is reached via 90 steps up the island. The grotto is divided into three main parts. In the first chamber, many forms can be seen in the rock, depending on the imagination of the observer. In the middle of the chamber, on the top of the pillar, there appears to be a monk draped in a long, dark cloak, with his right hand clasping a cane. Moving into the second chamber, visitors pass through a narrow "door", naturally formed through erosion. The light here is mysterious, and new images appear in the stone. At the end of the grotto is a well of clear water surrounded by four ancient walls.

In this grotto, there remains an engraved stone stele singing the praises of Halong Bay ordered by Emperor Khai Dinh when he came to visit the grotto in 1917. Dau Go is 40 minutes from Bai Chay. Admission is 15,000 VND per person, 5,000 VND for children under 15, and children under 6 are free.

Trinh Nu (Virgin) Grotto-Trong (Male) Grotto

The Virgin Grotto is situated in the island range of Bo Hon, in the system comprised of the Surprise Grotto, Dong Tien Lake, and Luon Grotto. The grotto is 15 km south of Bai Chay Beach. For some fishermen, the Virgin Grotto is home, while for young lovers it is a popular romantic rendezvous site.

According to legend, there once was a beautiful fisherman's daughter, whose family was so poor that they were in service of the rich administrator of the fishing zone, who forced the family to give him their daughter as a concubine. However, the fisherman’s daughter already had a lover and refused to marry the administrator. The administrator got angry and exiled her to a wild island where she suffered from hunger and exhaustion. One frightful night she turned to stone. On this same night, her lover, knowing of her danger, rowed his boat in search of her. However, a tempest destroyed his boat, and he floated to a nearby island. In a flash of lightening, he saw his lover in the distance, but his calls were driven away by the wind. In his final exhaustion, he also turned to stone (today’s Male Grotto).

When visiting the Virgin Grotto, you can still see the petrified girl with her long hair hanging down and eyes looking towards the mainland. Opposite the Virgin Grotto, the Male Grotto is still home to the lover whose his face is turned towards his mate. At times, his passionate calls and blows against the walls of the grotto can still be heard.

Thien Cung (Heavenly Palace) Grotto

This recently discovered grotto is one of the most beautiful in Halong Bay. Thien Cung is situated on the southwest side of the bay, 4 km from the wharf outside of Halong City. It is located in a small range of islands that resemble a throne embracing two superb grottoes at its core. The way to Thien Cung is perilous, covered on both sides by thick forest. After entering a narrow gate, the magnificent, 130 m long grotto opens up.

According to legend, a beautiful young lady named May (cloud) caught the eye of the Dragon Prince and he fell in love with her. They were betrothed and got married in the very center of the grotto. All of the scenes of their wedding, which lasted for seven days and seven nights, have been seemingly fossilized in the grotto.

In the center, there are four large pillars supporting the "roof of heaven". From the base to the top, many strange images seem to exist in the stone, including birds, fish, flowers and even scenes of human life. On the north wall of the grotto, a group of fairies seems to be singing and dancing in honor of the wedding. Under the immeasurably high roof, stalactites form a natural stone curtain. There is also the sound of a beating drum made by the wind blowing through the stone.

In the last chamber of the grotto, a natural gushing stream of water babbles throughout the year. Here there are three small ponds of clear water. One path meanders out of the grotto.

Quang Hanh Grotto

Located 9 km west of Cam Pha, Quang Hanh Grotto is the longest grotto in Halong Bay. It is 1,300 m long, and stretches throughout the stone mountain of Quang Hanh. The French named it "Le Tunnel," or Tunnel Grotto.

Quang Hanh Grotto is accessible by either boat or car, but the entrance only appears when the tide is out. Ba Co Shrine (shrine of three girls) is in the grotto beside a smooth stone block. Legend tells that three girls, who were once journeying on the sea, came to the grotto to take shelter from the rain. They were so engrossed with the beauty of the grotto, that they did not notice the rising tide. They drowned, only to become water goddesses.

Quang Hanh Grotto is extremely beautiful. A small boat will take you through the stone passageway by flashlight, casting magical colors on the hanging stalactites.

II. Islands

Bai Tho Mountain (Poem Mountain)

Bai Tho Mountain is 106 m high. It runs along the coast, half on land and half in the sea. Sailing in the bay, one or two hundred meters from the mountain, one can see a poem carved on a flat stone cliff.

In 1468, Emperor Le Thanh Tong, who was also a poet, made an inspection tour of the North-East region. He stopped at the foot of the mountain, and inspired by the magnificent beauty of his surroundings, he wrote a poem. Later, he had the poem engraved on the wall of the mountain. It is very interesting to climb the mountain and enjoy the panoramic view of the bay.

III. Beaches

Bai Chay

Bai Chay is a resort located along the coast of Halong Bay. This is a windward ocean resort which has a year round average temperature of 20oC (68oF).

Bai Chay is a low gently sloping range of hills that runs along the sea for more than 2 km. Blended in among the pine trees are large hotels and small villas with distinguished architectural styles. Traveling down the asphalt road along the coast, visitors see long white stretches of sand and green rows of Casuarina trees, tucked under which are small family-run restaurants. After swimming at the beach, tourists can enjoy cold drinks and cool off in the breeze that sweeps in from the sea.

SAIGON - THE ORIENTAL PEARL

Saigon, officially named Ho Chi Minh City is a thriving metropolis with an unavoidable western influence offering quite a different experience to Hanoi. Whilst Hanoi seems a city to be savoured with more traditions and obvious traces of the red-tape, Saigon catches up better and faster with the best and worst sides of "doi moi" movements (renovation of the country) following the market economy rules. This is commercial hub of Vietnam, the industrial muscle of the nation. This is the rendezvous of business people and hustlers, whilst not many of them carry visa-versus from Saigon to other big cities in Vietnam. Towering developments start to break the skyline as multinationals fight for a seat on a plane into the country. Doi Moi and the lifting of the crippling embargo have opened the floodgates to an unstoppable torrent of foreign capital. Now everyone wants to be friends, after all, there is a lot of money to be made. After twenty years of forced sedation, Vietnam is now stirring but Saigon is wide awake.For many of the inhabitants of Ho chi Minh City, nothing has changed. The streets still swarm with life. People buy and sell things, bargain, cook, wash, sleep, eat, drink, and live on the streets of Saigon. Despite the large amount of money being thrown around, the filter effect is yet to manifest itself and thousands of people have to survive on virtually nothing. Cyclo drivers, often unable to do other work due to government policy, earn next to nothing and are still being punished for being on the losing side. As they bed down for the night n their cyclo, across the road at the La Lai Hotel, the wealthy Vietnamese are arriving in their Mercedes Benz for a night of indulgence.

In one word, Saigon is facing all good and bad things caused by the new movements of Vietnam. It obviously promises lots of interesting things to discover, whilst remains an exciting centre for shopping and hanging around and somehow remind you of its one-time name "the Pearl of the Far Orient.

Bat Trang and other cottage industry villages

Separated from the Hanoi downtown by a bridge over the Red River and 15km dike in between green rice paddies and old villages, Bat Trang is worth a half-day visit not only for its wellknown cottage industry but also for the poetic surroundings. According to historical records, the villagers have featured some kinds of excellent ceramic for domestic use and export since 15th century. From time to time, the Vietnamese overseas people and diplomatic corps have found their products – valuable antiques now - not only in neighbouring countries like China, Korea, Cambodia but in far states including Egypt, France and Portugal. The masters of Bat Trang now are not only supplying a big deal of porcelain for Vietnam but receive numerous orders from Japan, France and USA and are proceeding to recover traditional samples that somewhat have been lost during the war time. Stop-off at the village is an interesting mixture between watching the real production of ceramics and walking around for some light but fine and sophisticated porcelain. You can find in a factory the workmen mixing clay or dipping burnt vases into glaze to highlight their crackled lines, the painting masters, usually young girls with dexterous hands drawing on raw terracotta before they are heated at 900oC to 1,700oC ovens, taking inspiring pictures of coal-dust bakes pasted on the village's walls. Daily life of the village with a small exciting market and the wharf at the Red River where the products shipped are also very fascinating. You should go with a local guide to discover the family factories behind the shops in front, as it may not easy to communicate with the villagers who speak no English.

If Bat Trang say they are proud that about 1,000 households live by traditional job, other cottage industry villages surrounding Hanoi would be shy a bit. Dong Ky village – 30km northeast of Hanoi, has only hundreds of families specialized in handmade wooden furniture with mother-of-pearl and marble inlay. Whilst local people come here for ordering cupboards, tables and wardrobes by their designs or in catalogues' styles, you would be interested in wooden statues or sophisticated utensils made of ebony, redwood, rosewood and pinewood. Another village 14 km West of Hanoi called Van Phuc is famous for the traditional silk and you can find here many families using motor looms weaving silk or washing them after completed. Villagers from Le Mat, 08 km northeast of Hanoi, catch and breed snakes for foods and wine. Serpents can be found hereabout in compounds around the house, in readiness to export or to be dipped in snake wine or traditional medicine. Different kinds of other snakes are to be cooked and served to the people mainly coming from Hanoi, especially men. In Hanoi old quarter sometimes you can also buy medicines made from Le Mat snakes. Dong Ho village along the Duong river in nearby Ha Bac province produces traditional woodblock prints. In the old time, a picture printed that way is a must to decorate a Vietnamese house in springtime of "Tet" – the Lunar New Year. Some families in the village now change to make paper articles to burn at the Vietnam's ancestral anniversaries to send "utensils" and "money" from the alive people to their dearest dead relatives, with a hope that those things will be assisting the dead souls to "survive" well in the Hell. As the villagers' job is somewhat seasonal, a visit to Dong Ho should be combined with a sightseeing to the large But Thap pagoda nearby, which was restored in 17th century with impressive antique statues and stone-carved balconies and towers.

Hanoi – a mixture of discreet charm and excitement

To visit HANOI is to steep yourself in history, tradition, and legend in a capital that has been inhabited continuously for almost a millenium. Visitors often note that the city is quieter, greener, and "cooler" than other big cities of Vietnam. Indeed, Hanoi itself, and the Northern Vietnam, have quite clear four seasons, and October to March are lovely pretty cool months whilst other towns southward just have dry and rainy times. It probably influences in the mentality of the inhabitants and the city seems attract more intellectuals and artists, while Saigon is great for entrepreneurs and hustlers.

Hanoi's present architecture is mainly from the 19th and 20th centuries, and the French-built section of the town is largely intact. Yet, the city preserves many old religious temples and shrines dedicated to the nation's heroes or deities, who supported the farmers to cultivate and protect the fertile land on the Red River right bank and gather the first commercial guilds to form what later became an exciting urban town. Hanoi street life now is fascinating. In the early morning, you can see people both young and old practicing "tai chi quan" or martial arts in the parks and joggers along pretty lakes. Outdoor barbers with mirrors simply hung on the street walls and women selling great French baguettes and flowers are also at every street corner. If you go for a walk, the motorbikes and cyclos may make you wonder a bit which directions they move on, but as soon as you get a chance to try one of them, you could say they are not so risky like they seem to be, as the local drivers have extremely special skills to avoid one another (!). Thus a deliberate Cyclo tour for one or two hours is so far the best way to visit the Old Quarter, 90% of which are narrow and short streets.

During the two Indochinese Wars in 20th century, Hanoi had been heavily damaged, but there is virtually no evidence that now and the particularly thin, tall, often awkward-looking buildings that you see on streets are not a result of bombing, but are created by landowners who own only a thin slice of land so build up rather than out. Hanoi has a number of lovely parks and big Lakes which inspire the ancient architects to build graceful temples nearby, and Museums with precious exhibits of Vietnam's Fine Arts, Ethnology, History and Recent Wars that attract not only historians but foreign visitors and local people.

Finally, the Hanoians are reckoned the warmest and most approachable in the country. Though English is not as commonly spoken as in Saigon, most of the shopkeepers have learnt English quite enough to discussion on the commodities and price, and many of the older generation have a working vocabulary of French. Regardless of language, people will attempt to chat with you irrespective of whether you can understand them. Many of the cyclo drivers speak some English and often have very interesting pasts that they are now willing to discuss with foreigners. At times in Hanoi, you could be sitting in a café sipping excellent coffee that Vietnam plant in the Central Highlands for domestic use and export, eating great pastries that is a pleasant trace of the French time, chatting in French to an old beret clad gentleman, whilst as you look out the window you can see posh French-style villas in the shadows of fig trees or malabar-almon trees. Then you can really wonder just what country you really are in. In a single word, Hanoi is a city to be savoured.

Hanoi – a mixture of discreet charm and excitement

To visit HANOI is to steep yourself in history, tradition, and legend in a capital that has been inhabited continuously for almost a millenium. Visitors often note that the city is quieter, greener, and "cooler" than other big cities of Vietnam. Indeed, Hanoi itself, and the Northern Vietnam, have quite clear four seasons, and October to March are lovely pretty cool months whilst other towns southward just have dry and rainy times. It probably influences in the mentality of the inhabitants and the city seems attract more intellectuals and artists, while Saigon is great for entrepreneurs and hustlers.

Hanoi's present architecture is mainly from the 19th and 20th centuries, and the French-built section of the town is largely intact. Yet, the city preserves many old religious temples and shrines dedicated to the nation's heroes or deities, who supported the farmers to cultivate and protect the fertile land on the Red River right bank and gather the first commercial guilds to form what later became an exciting urban town. Hanoi street life now is fascinating. In the early morning, you can see people both young and old practicing "tai chi quan" or martial arts in the parks and joggers along pretty lakes. Outdoor barbers with mirrors simply hung on the street walls and women selling great French baguettes and flowers are also at every street corner. If you go for a walk, the motorbikes and cyclos may make you wonder a bit which directions they move on, but as soon as you get a chance to try one of them, you could say they are not so risky like they seem to be, as the local drivers have extremely special skills to avoid one another (!). Thus a deliberate Cyclo tour for one or two hours is so far the best way to visit the Old Quarter, 90% of which are narrow and short streets.

During the two Indochinese Wars in 20th century, Hanoi had been heavily damaged, but there is virtually no evidence that now and the particularly thin, tall, often awkward-looking buildings that you see on streets are not a result of bombing, but are created by landowners who own only a thin slice of land so build up rather than out. Hanoi has a number of lovely parks and big Lakes which inspire the ancient architects to build graceful temples nearby, and Museums with precious exhibits of Vietnam's Fine Arts, Ethnology, History and Recent Wars that attract not only historians but foreign visitors and local people.

Finally, the Hanoians are reckoned the warmest and most approachable in the country. Though English is not as commonly spoken as in Saigon, most of the shopkeepers have learnt English quite enough to discussion on the commodities and price, and many of the older generation have a working vocabulary of French. Regardless of language, people will attempt to chat with you irrespective of whether you can understand them. Many of the cyclo drivers speak some English and often have very interesting pasts that they are now willing to discuss with foreigners. At times in Hanoi, you could be sitting in a café sipping excellent coffee that Vietnam plant in the Central Highlands for domestic use and export, eating great pastries that is a pleasant trace of the French time, chatting in French to an old beret clad gentleman, whilst as you look out the window you can see posh French-style villas in the shadows of fig trees or malabar-almon trees. Then you can really wonder just what country you really are in. In a single word, Hanoi is a city to be savoured.

AO DAI - THE TRADITIONAL DRESS OF VIETNAMESE FEMALES

In general; Vietnamese people dress conservatively. Although some young women wear more close-fitting; Western-style clothing; it is considered inappropriate to wear revealing clothes during the day. One Westerner teaching English in Viet Nam was advised to tuck her shirt into her trousers if she expected respect from her students. It is considered inappropriate for educated people to wear their shirts untucked.

AO DAI - AN ART

A lasting impression for any visitor to Vietnam is the beauty of the women dressed in their ao dais. Girls dressed in white pick their way through muddy streets going home from school or sail by in a graceful chatter on their bikes. Secretaries in delicate pastels greet you at an office door and older ladies in deep shades of purple; green or blue cut a striking pose eating dinner at a restaurant. The ao dai appears to flatter every figure. Its body-hugging top flows over wide trousers that brush the floor. Splits in the gown extend well above waist height and make it comfortable and easy to move in. Although virtually the whole body is swathed in soft flowing fabric; these splits give the odd glimpse of a bare midriff; making the outfit very sensual. Rapidly becoming the national costume for ladies; its development is actually very short compared to the country's history.

Pronounced "ao yai" in the south; but `ao zai` in the north; the color is indicative of the wearer`s age and status. Young girls wear pure white; fully lined outfits symbolizing their purity. As they grow older but are still unmarried they move into soft pastel shades. Only married women wear gowns in strong; rich colors; usually over white or black pants. The ao dai has always been more prevalent in the south than the north; but austerity drives after 1975 meant it was rarely anywhere seen for a number of years as it was considered an excess not appropriate for hard work. The nineties have seen a resurgence in the ao dai`s popularity. `It has become standard attire for many office workers and hotel staff as well as now being the preferred dress for more formal occasions;` says Huong; a secretary for a foreign company. `I feel proud of my heritage when I wear it.` For visitors; the pink and blue of the Vietnam Airlines uniform creates a lasting memory as they travel.

Early versions of the ao dai date back to 1744 when Lord Vu Vuong of the Nguyen Dynasty decreed both men and women should wear an ensemble of trousers and a gown that buttoned down the front. It was not until 1930 that the ao dai as we know it really appeared. Vietnamese fashion designer and writer Cat Tuong; or as the French knew him; Monsieur Le Mur; lengthened the top so it reached the floor; fitted the bodice to the curves of the body and moved the buttons from the front to an opening along the shoulder and side seam. Men wore it less; generally only on ceremonial occasions such as at weddings or funerals. But it took another twenty years before the next major design change was incorporated and the modern ao dai emerged. During the 1950s two tailors in Saigon; Tran Kim of Thiet Lap Tailors and Dung of Dung Tailors; started producing the gowns with raglan sleeves. This creates a diagonal seam running from the collar to the underarm and today; this style is still preferred.

Every ao dai is custom made; accounting for the fit that creates such a flattering look. Stores specialize in their production and a team of cutters; sewers and fitters ensure that the final product will highlight the figure of the wearer. Thuy; a fitter in Ho Chi Minh City; says; `To create the perfect fit; customers take their undergarments and shoes with them for the fittings.` The pants should reach the soles of the feet and flow along the floor.

Comfort has not been forgotten at the expense of fashion and beauty. The cut allows the wearer freedom of movement and despite covering the whole body; it is cool to wear. Synthetic fabrics are preferred as they do not crush and are quick drying; making the ao dai a practical uniform for daily wear. Its popularity may be its undoing as the garment is now being mass produced to make it more available and cheaper. The gown length appears to be gradually shortening and today is usually just below the knee. Variations in the neck; between boat and mandarin style; are common and even adventurous alterations such as a low scooped neckline; puffed sleeves or off the shoulder designs are appearing as ladies experiment with fashion. Colors are no longer as rigidly controlled and access to new fabrics has created some dazzling results. But most visitors to Vietnam agree that the tailors already have the perfect cut. It is hard to think of a more elegant; demure and yet sexy outfit; that suits Vietnamese women of all ages; than the ao dai
Historically; Vietnamese men dressed in mandarin style suits. With a tunic shorter and fuller than the ao dai; the suit’s color was traditionally determined by the man’s class and social rank. For example; a purple suit denoted a high rank while blue denoted a low rank. Status was also indicated through a variety of embroidered symbols. Today the mandarin suit is rarely worn except for in traditional dance or music performances.

CAT BA ISLAND

This is the largest island in the Cat Ba Archipelago that consists of 350 limestone outcrops adjacent to Halong. This is an oasis where you can be apart for one or a few days during a long voyage. If starting from Halong Wharf it will take you 4 hours by a tourist boat, with stopovers for swimming, visiting spectacular karst and having fresh seafoods. In a single word, you can contemplate the beautiful scenery of Halong before reaching the island. You can also buy a ticket of the hydrofoil departing from Hai Phong Seaport to reach Cat Ba if your itinerary saves Halong for another visit.

With an area of 356 square km wide, Cat Ba encompasses forested zones, coastal mangrove and freshwater swamps, beaches, caves, and waterfalls. In 1986, the Northeast side of the island was designated a National Park, including a protected marine zone. Cat Ba Island supports a population of over 20,000, most of whom live off fishing or farming in the South, in and around Cat Ba Town. The town is small and ancient, with clusters of fishing boats and inspiring sunsets across the harbor. You can check out the catch of the day in the early morning , see cuttlefish dried over hot charcoals, or stroll around the old town. It's a short hike from Cat Ba town through a tunnel to Cat Co Beach, whose mountains look like a throne holding a marvelous sandy coast, or if you hike further along, you will reach the rockier Cat Vang Beach.

As transportation on the town is not so well-developed, motorbikes is the most helpful means to get you to the larger Trung Trang Cave with many chambers, or to the National Park, or to discover other beaches around the island. A tourguide is necessary to help you communicate with the local drivers and introduce these viewpoints. The national park contains stringy trees, thick undergrowth and slippery vines. There is a great view that includes a French, now Vietnamese, farming village from the top of the mountain and a lake in the middle of the park that takes a half day to reach.